What Is A Harp Circle? (+ new music!)

This is the first of a new series of Harp-Related Q&A , to celebrate the Harp Blog being back in action (hooray!), and in honour of the first Peterborough-Kawarthas harp circle in over a year (!).

A sample of a tune arranged for multiple harps can be found by following the link at the bottom of the post.

A Harp Circle is an informal gathering of harpists (or harpers, if you prefer), which can take many forms.  The one thing they all have in common is the sharing of music.  A typical harp circle might start with a general meet-and-greet (which often involves people trying out each other’s harps), and everyone making sure their harps are tuned.  Bringing an electronic tuner is wise for this part, since there will be a lot of background noise (this is where tuning pickups really earn their keep!), and everyone will want to be at the same pitch (A=440, or concert pitch, is standard in most areas).

This is often followed by learning one or more group pieces.  Usually the group leader or organizer will have copies available for everyone, with parts at varying levels of difficulty (easy parts for beginners, more challenging parts for the more experienced).

Sometimes this group participation might take the form of a more formalized workshop, with a specific topic, such as singing with the harp, Welsh tunes, improvising, Irish ornaments, and so on.  However, in some cases it can be as casual as someone handing around some sheet music and saying, let’s all try this one!  Either way, the group organizer will let you know what format the circle will take.

At the mid-point will be a welcome break for munchies and socializing (participants are often encouraged to bring contributions of snacks, although sometimes these are provided by the host). 

After the break, there may be more group playing, or the second half of the workshop, but often this is the stage for the “once-around-the-circle”, where people are free to play a piece of their choosing.  This can be a great opportunity for shy and inexperienced players to try something out in public for the first time, in front of a small and sympathetic audience.  It can also be a chance for more experienced players to try out something new, or play their latest “party piece” – essentially, show off their playing prowess.  It certainly never hurts to get a healthy boost to the old self esteem, in the comforting company of peers!  However, all players will be encouraged to pick something relatively short, so everyone who wants to has a chance to play.

The performance part, in almost all cases, is strictly voluntary.  The idea of harp circles is to have fun, in a relaxed, no-pressure environment.  Players can feel free to participate as much or as little as they like.  For the complete beginner, sometimes it’s great to just be able to meet other harpers and see different harps, even if you’re a bit too shy to try playing along the first time.

In honour of our first harp circle of 2011, I’ve whipped up an arrangement of Southwind for multiple harps.  You can follow the link here to download both a print copy and midi file version from Chubby Sparrow.  Feel free to add your comments or questions below.

May 29 Medieval Concert, Peterborough

Hurly Burly Early Music Ensemble Presents
The Vigorous Impulse: Music from the 12th Century Renaissance

This Sunday, May 29 · 2:30pm – 5:30pm
The Guild Hall, St. John’s Anglican Church, Peterborough, ON

The 12th century was a time of musical innovation and fervent. Our concert features some of the first recognizable names in Western composers: Abelard, Hildegard, the Comtessa de Dia, and many troubadours and trouveres.
Featured instruments this time out include multiple harps, citoles, recorders, vielle, rebec, hurdy gurdy, and percussion.
Take a break from the gardening and join us for a lively and melodic afternoon!

For those of you on Facebook, we now have a group page (search for “Hurly Burly Music Ensemble”).

The page for this Sunday’s event can be found here.

Group website: celticharper.com/hurlyburly

March 19 Celtic concert in Peterborough

Saturday, March 19, 8pm

St. Pat’s Fancy at Sadleir House in Peterborough, ON.

The third annual concert celebrating Irish music, with some of the proceeds going towards the Market Hall to help fund its new renovations. Sadleir House is an historic house in Peterborough, near the corner of Parkhill and George Streets. Market Hall is a much loved folk music and general arts venue in the middle of downtown Peterborough. There will be lots of great music from the likes of Cairdeas, Fiachra O’Regan, and The Jenish Sisters, as well as guest spots from the usual crew of local musicians. Tanah Haney will be playing Celtic Harp on a couple of harp-and-fiddle sets with John Hoffman (hence the harp component!).

For more info, you can visit the official Facebook page for the event or email Tanah at soloharp @ celticharper.com (minus the spaces).

Harp Stork News (Updated)

My new harp Some pics of my lovely new Dusty Strings Allegro (26 strings, Sapelle wood, built-in pickup).

The factory installed pickup is very cool, no extra wires to worry about, just plug in and go.

It’s got three points of pickup on the inside of the harp (only one is visible in the photo), so it should perfectly cover the full range of the instrument.

Update: The built-in pickup rocks! Tried it out with the little Pignose amp, and it worked beautifully.

Don’t know how it will interact with more sophisticated sound systems, but the lack of preamp didn’t seem to be an issue. Just tweaked the settings on the Pignose a bit, and it sounded great. Also could turn up the wee amp higher than before, so more volume with less feedback problems.

Now I just wish I could magically install one on my big harp (and no, drilling brand-new holes in the Wanney harp is not an option; call me paranoid).

Arpa Peruana

Back from vacation in B.C.  July is turning out to be a busy month for weddings and the like, so for now we’ve got a couple more videos, all the way from Peru!   Considering the harp is one of the oldest instruments in human history, it’s not surprising that nearly every culture has developed its own unique style of harp and harp playing.  Still, it never ceases to amaze me how different each type of harp, and its corresponding technique, can be from each other, and just how much variety there is in the harp world. 

The first one features harpist Otoniel Ccayanchira playing Peruvian Andian music, as well as some traditional dancers. Courtesy of FolkPeru21

The next one features a solo harp piece performed by Florencio Coronado,  followed by a Peruvian folk band and singer (Esmila Zevallos).  Good close-ups of the harpist’s hands at the beginning if you want to check out the traditional Peruvian technique a little more closely.

Courtesy of proansa

Spring is in the air…

Another harpist enjoying the outdoors. This rendition of the Chanter’s song comes to us from Josephine on the Isle of Skye, playing a Seiriol harp.

Sorry the posts have been infrequent lately; been caught up with yard and garden prep while the sun shines. It’s spring here in Southern Ontario, which means the weather is even more fickle than usual, but still oh so tempting to be outside, away from all infernal machines.

Happy St. Patrick’s Day! Enjoying the great outdoors…

Si Bheag Si Mhor, one of O’Carolan’s most popular tunes, played by Mark Harmer on Celtic harp.

“Flying to the fleadh”, slip jig by Patrick Davey, played by FairyHarper, with “accompaniment by the crows and birds of ireland”.

La Partida on Paraguayan harp

Harpist Mark Hammer playing the Paraguayan harp.   If you want to know more about the harp and the tune he’s playing, he includes a fairly detailed write-up about both here.

Interesting point of trivia: Apparently on Paraguayan harps the C strings are blue, and the F strings are red, the opposite of other harps. Could make things very confusing for us lever harp players!